Kolleidosonic

Word Wreckage Image Rubble Sound Detritus

Sunday, April 29, 2007

MPC's the Baile-Dancehall Mixtape


My man MPC from Digitaldubs Sound System just dropped MPC's the Baile - Dancehall Mixtape. With 17 different MCs riding 18 different riddims, it runs from digital permutations of the tamborzão mashed with the coolie dance riddim to dubbed out collisions of capleton and sizzla with original funk carioca-dub bases such as the tambozão rock and curimba riddims, all tweaked and mixed with MPC at the controls. É Foda!

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Friday, April 27, 2007

Maga Bo Interview and Mix on Spannered

This is a painting (gifted by Mirissa, thanks!) that I found at the "Hippy Fair" here in Rio. Sort of hidden amongst tons of other romanticised images of favelas being sold, the subversion and irreverence of this one really caught my eye. "Sponsored by the Ministério do Trabalho." Painting by Paulo Paes Melo.

There's an interview with me by my man Al Fresco from Spannered who swooped in from São Paulo to chat with me a bit and also connect with my peoples over at AfroReggaeDigital in Parada de Lucas. You can also check my mix that I originally made for Radio Luz Poland bumped there.

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Wednesday, April 25, 2007

The Folk Songs Project

My initial interactions with music and sound were via my soundesign cassette recorder that I got for christmas (little did my parents realize where it would lead me) when I was about 6 years old. I especially liked the sounds it would make if I pressed all of the buttons down at the same time - rewind, fast forward, stop, play and record.......
Such was my entrance to the world of ambient location recordings. Since then, I've gone on to make recordings for documentaries, television shows, web sites, exhibitions and what not. I've often thought of an interactive map oriented interface to listen and geographically plot and link sonic events, but have never seen anything like this until now.....
I recently was introduced to a trio sites (thanks Ali!) that treat location recordings in an interesting and interactive way. Folksongs for the Five Points allows you to access various street recordings from Manhattan. Recordings range from a leaky fire hydrant to the 2nd ave train to a chinese restaurant to a street busker and beyond. Very cool.
Another related site is Manchester Peripheral, which is similar, but focused on Manchester, UK. Here, sources range from a printing machine to the buzzing of a bee to an acapella by Owl. Very cool.The third and final related site is Soundmap - Cinco Cidades, which is also similar, but focuses on 5 different cities in Portugal. This seems to be slightly more oriented toward music and spoekn word, but still has ambient recordings as well Very cool.
On all of these sites, you can listen to multiple sources at the same time and adjust their respective volumes to create your own unique mix. You can then save your mix to share with others as well as to browse and listen to other listeners' mixes. I found it particularly interesting to have all three sites open at the same time to create a multi city version. Very cool.

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Saturday, April 14, 2007

Chutney Dancehall


It's been too long here without music......I've been diggint through the stack of CDs I bought in Guyana from sound carts like the one above in Georgetown and I've come up with a few interesting tracks. From very acoustic Indian to Caribbean Indian electronic acoustic to full on electronic......a selection from Chutney Dancehall Hits 2005 Volume 3.

Dheeray Dheeray by Lil Man.

Mortor Mortor (Remix) by Rikki Jai with Machal Montan.

And, lastly, I'm sure his woman just melted when she heard this, fell into his arms and then wined all night for his pleasure.......Square Key by Kerry Ramgobin.

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Thursday, April 05, 2007

Lyre Bird aka sampler bird


This was sent to me by Spartacoustics. thanks!

a sampler bird. A bird that samples. Hi-tech real time shit right here. I don't know yet of any midi controller for this though.....you'll have to check the manufacturer's website.....

http://www.youtube.com/watch?v=VjE0Kdfos4Y

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